How do you classify U2’s eras, musically speaking ?Here’s my classification, based on playlists I made and the names I gave them.BOYS (1980-1983)SOULS (1984-1989)EXPERIMENTS (1990-1998)MEN (2000-2010)DADS (2014-2017)
1980-83 - Early Years1984-90 - Scruffy Superstardom1991-1997 - The Glamorous Nineties1998- Present - The Post-Pop Years
I think 80-83 form a distinct category, as do 84-88, 91-97, and 2000 until now. Sad that there was more growth and change in the band's sound from War to TUF than there has been over the last 25 years but here we are.
7 eras:first 3 albumsTUFTJT/R&H'90sATYCLB and HTDAABNLOTHSOI/SOE
Quote from: imaginary friend on March 24, 2025, 11:20:05 PM7 eras:first 3 albumsTUFTJT/R&H'90sATYCLB and HTDAABNLOTHSOI/SOEIt’s interesting that you isolate some albums. TUF in particular. I think I see why you would do that. My interpretation of the era is that, although there are nuances in what U2 do, TUF being more experimental and R&H being back to the roots, they were aiming for something that I could « Soul ». That’s what tie those 2 together, IMO. This and Bono’s voice, which was at a peak there.
Quote from: imaginary friend on March 24, 2025, 11:20:05 PM7 eras:first 3 albumsTUFTJT/R&H'90sATYCLB and HTDAABNLOTHSOI/SOEInteresting. Why do UF and NLOTH get their own eras?I understand UF because that really was its whole own thing, but NLOTH didn’t have the same mystique because they compromised the album trying to generate hits.UF, on the other hand, had a solid set of B-Sides, Wide Awake in America, plus Edge’s Captive soundtrack and “Heroine” with Sinead. Three Sunrises, Bass Trap, Boomerang I, Boomerang II, Sixty Seconds in Kingdom Come plus UF plus Captive plus Live Aid was an epic mystical run.
Quote from: Soloyan on March 26, 2025, 08:57:23 AMQuote from: imaginary friend on March 24, 2025, 11:20:05 PM7 eras:first 3 albumsTUFTJT/R&H'90sATYCLB and HTDAABNLOTHSOI/SOEIt’s interesting that you isolate some albums. TUF in particular. I think I see why you would do that. My interpretation of the era is that, although there are nuances in what U2 do, TUF being more experimental and R&H being back to the roots, they were aiming for something that I could « Soul ». That’s what tie those 2 together, IMO. This and Bono’s voice, which was at a peak there.I also tie TUF with TJT/R&HMy « eras » (is that a TS concept? ) are:Boy/Oct/WarTUF/TJT/R&HAB/Zoo/PopATYCLB/BombNoLineSOI/SOEOnly NoLine seems a loner in my view.