I mentioned elsewhere that there seems to be a massive disconnect between U2's strong output on the one hand, and what the band considers their strong output on the other. Someone suggested this topic deserves its own thread, so here we are.
A few examples....
- U2 thought GOYB was so good that it deserved to be the lead single for, and therefore the first glimpse into, the album following the longest gap in the band's entire history (2004 - 2009). And Boots is easily one of the worst U2 songs ever released, with a chorus that is so bad it's virtually un-singalong-able (which is why literally every remix omitted it altogether).
- U2 also thought that Crazy Tonight was a really good song, good enough to be another single from the same album that gave us Boots. All the while, songs like MOS were passed by.
- Apparently the band thought it was a good idea not only to write a song called The Miracle (of Joey Ramone), but also to release it as the lead single from SOI (an album with the most awkward cover imaginable, their 4th in a row with a black and white pic [in fact, 9 of their 13 albums have black and white photos for their covers, and we're about to get a 10th]). And despite SOI having a relatively cheesy rawk song as a lead single, it contains amazing tracks like SLABT, TT, and Crystal Ballroom (which was inexplicably left off the official release).
- This brings us to YTBT. I can't help but wonder who is advising the band to work with producers who are more known for making music that appeals to people born during the Vertigo Tour than for making music anyone takes seriously. While The Blackout is a pretty good rock song, for some reason U2 chose as their lead single a song that, while okay as a pop song considered in the abstract, will never elevate U2 into the pop stratosphere alongside Katy Perry and Taylor Swift (the fact that they aspire to this is pathetic enough in and of itself).
I could go on. My point is that self-diagnosis is not U2's strong suit, and they consistently make the poorest choices possible when deciding how to represent themselves, whether on albums or in live sets.
Anyone care to add to this list?